artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

solid techhouse 3 tracker with a cool detroit touch on the new beyond music label this one you should not miss

solid electrohouse four tracker each of the tracks will perfectly work the floors get your copy

another solid ep from the greenhouse crew with groove federation. with three tracks for your listening and ancing pleasure the federation kick things off with scrubs, a skippy bouncy bass driven affair a la inland knights. next up is electric gums, a deep slice into the head nodding space. pass the music rounds things off with a straight jackin chunchy deep house jam packed full off fx, vocal elements and action oriented percussion.

solid electrohouse business by gaz james & hauswerks

bryan jones and scud bloom team up for this solid four track ep on chicagos farris wheel recordings jackin house tracks that will please the fans of fetish, tango, jackin trax etc

brothers bud return with another chunk of boisterous bass in the form of yap yap, a casio fuelled concoction of heafty beats and cheeky bleeps! the a side is as solid as we have come to expect from the boys bud, with yap yaps robotic vocals building to a typically funk stained breakdown. on the flip escobar and vito steer things more towards electro house territory ensuring there is something for everyone on this peak time belter

bini & martini is one of the coolest duo of djs/producers in italy, they are also the owners of one of the most respected label, ocean trax records (and sub-label ocean dark), and they are making their 2007 debut with this incredible single which also represent the beginning of the collaboration with intergroove. check out the three solid mixes on this release, the housey-electro style of the gold frequency and gold frequency instrumental or the minimal-techno of the dub frequency

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

solid electrohouse 3 tracker with crazy vocal sample snippets

after releases on rhythm convert, session, corachi and collaborations with tom hades, tomaz or key-o comes here a solid peaktime electro techno three tracker by david pereira on this new label called sucre sale

solid 4 track ep with a cool variety of styles from techhouse via shuffle techno to detroit

two weird and absolute freaky afterhour smashers from istanbuls randoman. phage & dreier deliver a techhouse remix while mikdat vs afrilounge focus on a solid deep and minimal groove

this dutch based production team comes to king st. with a solid lovely soulful yet energetic ep. the thick rhythms & twangy guitar of believe is followed by the handsome & deeply basslined cover story, a nice flowing light jazzy piano keyed & guitar riffed instrumental. switch is up next delivering more cool house lounge effect with some sexy sax thrown in for great measure. rounding out this debut ep is never let go, a moody, almost cinematic, deep lounge & house rhythmed production that will cross many genres of club. these all strike a nice balance between the club & lounge bringing a nice even flow to the dancefloor

as a sublabel of the respected rilis, loose is on the roll with a series of impressive, futuristic pressings. following the black and red ep comes a new gem named yellow. here rino cerrone teams up with some of his friends maurizio viteillo and umberto carmignani. these men slam down a solid stripped down techno ep with stunning quality and superb craftmenship

greenhouse keeps on it s steady course with the >northern style ep< fresh from the mind of glasgow s craig hamilton. craig delivers a solid four tracker that covers all the dimensions all at once funky, jazzy, deep and tracky. kickin it off with the bass ride of >don t stop< expect to hear this from the likes of dj heather and jason hodges. >outta my face< is just a straight dirty slice while >average day< takes the role of peak time mover. wrapping it up is >gonna take< a cool ride with the rhodes and jazz for fans of bryan jones et al… greenhouse is growin

another release for dead famous and another new artist full of promise in the form of sicilian boy wonder break the box. following in the footsteps of other italian giants like madox and santos you can feel the mediterranean flavour in luigi barones music, with healthy doses of tech and funk laid over solid breakbeats. with a string of releases on the way on labels including breakin even, basstard, big square and ritmic, 2007 is set to be break the box s year

der japanische medienspezialist rappelt hier ne ganze ecke kantiger & europäischer als auf seinen vorherigen releases und erinnert dabei an pan-pot & daniel stefanik

christian quast from hamburg comes with solid beats, fully rounded basses, harmonious elements and rudimentary melodies..

the hertzian space turns its focus towards the darker side of warsaw for a release by peter sliwinski aka echoplex - founder of soleil records and with more than 50 releases and compilation appearances on labels like synewave, kanzleramt, tresor, torema, black nation and nova mute. peter delivers four machine driven tracks built on a solid foundation of funk, darkness and knowledge straight from of the future. supported by heavy hitting djs laurent garnier, steve rachmad, damon wild, ben sims, funk d’void, the advent and pacou

meat, aka carsten schumann, the owner of the long-established frankfurt record-store freebase, teams up with arno völker from einzelkind and deliver a solid deep three tracker

nice price deal !!! solid electrohouse for big sound systems.in the a side you will find body control, a must have for any dancefloor in 2007, with an incredible electronic breakdown and apowerful bass line.in the b side energize will delight electro addicts with killer sounds that make an amazing effective track

cannibal society presents a killer ep by the talented greg notill (crownbar, artillery, etc). greg brings you a solid pounding hardtechno sound, which will cause some massive damage on the floors worldwide

ltd. picture disc release from the oliver huntemann mix cd >play!< hit !!! this is the exclusive single taken from oliver s latest mix cd entitled >play!< the mix session was recorded in sao paolo s finest club: d-edge. and this bass heavy club monster called >sao paolo< pays homage to that special evening. oliver managed to combine solid minimal techno elements with his very own electro style. enough said… this is huge!

the funkpunk series continues with another massive remix in a solid club electro style !!

new tracks come and new tracks go, but olav basoski will always be there, as a solid rock in the stream of todays club music. here is his new funky electronic house groove da beat kicks. and when it kicks…you defenitely start rockin! together with a strong dub on the flip, followed by the rock da beat, another rootz records gem sees the light of day

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

cannibal society returns with yet another solid contribution to the hardtechno scene. this time we bring you a massive various artists ep with 4 of the hottest artists around !!

kevin yost remix! mark grant (blackstone, us) very nice!!!! ralf gum (gogo music, ger) >nice solid vocal house tune. all mixes are quality, and my fav is kevin yost s interpretation. full support.< lars behrenroth (deeper shades of house | xm radio) charted! greg kozo (paris) a1: wow ! !sound great ! !supa ultra deep, great production and great vocals ! ! could be one of the wmc anthem ! ! will play it for sure on our store !erik rug (fra) a1: main vocal (8:28) great love song , i ll play it in club. will also give it radio play. im a fan of gerideau.. b2: karu remix really into that electroey version..it works damn fine. (waxgroove mix/radiofg mondays). lewis dene (uk) pure class mate... gregory del piero (san francisco) yo henry, the kevin yost mis is the one doing it for me, great remix like always with kevin, i always buy anything that is putting out thx for sending it out and good luck with it dj fudge (fra) and thanks for the promos it s sounds great i like very much the gerideau specialy the harley and muscle mix

day one is the first release by derby producers, the cut hustlers (pete dj razorcuts darrington and neil cooper).joining forces, darrington and cooper aim to produce accessible slices of pop electronica. apart from their original version of and a trademark razorcuts mix, the day one 12 includes electro/ disco rubs by teenage dj (an alias of the legendary uk dj greg wilson, whose teenage dj disco best 12 was a big underground success on both sides of the atlantic) and templeton peck (aka toby tobias, who has built a solid reputation via recordings and mixes for labels like bear funk, urban myth, rekids and hy phen)

fifth release of the drumpoet community recordlabel out of zurich.thabo is also a member of the massive soultourist collective.take root is a bootybouncing detroit groove which is indeed irresistable and euphoric. dark rhythms meet cinematic strings for an ecstatic feel. take root has already created a buzz on various dancefloors and left no one stand around. with barcelona he provides another solid track and makes clear that the sound of thabo is fuelled for the future

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

deep and dark inverse cinematic trip on the a side flip for a steppatronic remix and the original version solid new dancefloor stuff by zimpala not to be missed

pedro delgardos yin yang has become a worldwide trademark for solid floor techno with a true funk vibe. with an ever-growing catalogue featuring some of the finest artist in the scene, it includes many of the mans very own productions and remixes. pedro again drops a massive peak-time rework of killians fresh outing. volume 15 presents some of that sweet and funkin stuff we all come to love so much, and ep filled with rolling bassline, sharp snare action and nothing but explosive energy!

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

on the a-side orlando comes with an oldskoolish dark detroit track >pimp the princess<. a mysterious, almost psychedelic / mental, atmosphere, build around a solid groove. it also has a perfect building up, breakdown and climax. this is really something to experience anywhere, anytime. the b-side contains a ritzi lee remix on >pimp the princess<. typical ritzi lee style. hard, funky and uplifting. the bonus track >meltdown< also has a solid groove, oldschool style techno, with mental hypnotic sounds to pull the crowd to a higher tension. this one is for the true believers

#3 of the >revisited< series… >like it used 2 b brothers< vibe kicks the old school mr. fingers bass (chicago house) sound a bit to bring you back to the days… >ride my rithum< cool filtered soul/funk groove over a solid track…sweet to ride!! >afro rican drums< hits you with electrifying timbale solo compliments of eddie cruz, remastered from the limited som release >collective grooves<

a funky four track ep by theefunkiest brazilian. standout track is >cuban jazz<, sounding a little bit like rick wade it digs in with hard beats lying beneath a filtered cuban piano line as a cool subtle vocal sample drives the track accompanied by a rumbling bass, well placed guitar samples and hi hats. the other tracks all solid with a chunky funky west coast flavor.tracks include productions by dj rod (greenhouse) and droors

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

labelboss and manager darren kay launches yet another techno monster of his acclaimed techno imprint concept! following the huge kode release on hertzs label hz trax you are tr4eated with a very suitable follow up which includes a lushious rework by darren kay himself. proper pumping techno with infectious funk and solid groove is here to stay

techhouse with something for everyone. good solid dancefloor workouts.

the heart of hollands leading techno city is pounding as never before and todays electronic music scene is more alive than ever! one of the prime time techno imprints which operates from the core of rotterdam returns to you with more food for thought, dancefloor and decks. patterns presents a new two track winner in a solid series of high-tech plastics

after the success of the first klap klap release >easy walker<, samuel here continues with another really solid record !!! the a-side comes with a rich atmpspheric tune to space away, it steadily grows and tweaks into a abstract hymn. on the b-side we find >inside< which, in its original version, was supposed to be released on new soil recently !!

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat